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KRYESORE

Shfaqjet që mund të shihni sot në Kinemanë e AQSHF

Politiko 17 Shtator 2019, 15:54
Shfaqjet që mund të shihni sot në Kinemanë e AQSHF

Në kuadër të 'Festivalit Ndërkombëtar të Filmit për të Drejtat e Njeriut', në kinemanë e Arkivit Qendror Shtetëror të Filmit do keni mundësinë të shihni shfaqjen që dëshironi.

Hyrja është e lirë dhe një mundësi shumë e mirë për të zgjedhur shfaqjen që dëshironi dh të kaloni një pasdite ndryshe por edhe të informoheni.

Programi për ditën e sotme është si më poshtë:

Programi si më poshtë:

Screening on Tuesday 17th Sept – 18:00 @ The Central State Film Archive

POSTED

Country: France, 2019

Genre: Documentary

Duration: 52 min

A film by: Samuel Bollendorff

Editor: Mélanie Braux

Camera: Samuel Bollendorff

Producers: Eugénie Michel-Villette and Emmanuelle Jacq

When: Tuesday 17 September - 18:00

Where: Central State Film Archive

Toni, Nebojsa, George and Andrea come from Croatia, Serbia or Romania. Workers posted to the Saint Nazaire shipyards, they often live there invisible. If they are detached by their status, they are mostly detached from their relatives and their country. It is between them that these workers of Europe share nostalgia and hope for a better life.

Screening on Tuesday 17th Sept – 18:55 @ The Central State Film Archive

BACKWARDS

Country: Israel, 2018

Genre: Documentary

Duration: 16 min

A film by: Dana Gelman

Editor: Dana Gelman

Camera: Dana Gelman

Producers: Hilla Shitrit, Efrat Cohen, Gaudeamus Productions, Kobi Mizrahi

When: Tuesday 17 September - 18:55

Where: Central State Film Archive

They are refugees—but what they need is a refugee status. When the lights in Tel Aviv go off for the night, the lines outside the immigration office start swelling. Everybody wants to be on time for when the office opens at 8 a.m. By midnight, there are hundreds of people in front of the door, most of them Ukrainian.

While one of them sleeps on the pavement, another irritably attempts to make sure that everyone gets their rightful place in the line. Time ticks slowly on, and with dawn approaching a small group of office staff arrives, accompanied by security guards whose job it is to ensure the crowd doesn’t all flood in at once. Most of them won’t get in anyway, and even those who do will start an asylum procedure that offers limited prospects for success.

In a single night, Backwards encapsulates the refugee crisis: a mass of exhausted people who patiently persevere in their attempt to start a new life—while the rest of the world sleeps.

Screening on Tuesday 17th Sept – 19:15 @ The Central State Film Archive

ARMED LULLABY

Country: Germany, 2019

Genre: Animation

Duration: 9 min

A film by: Yana Ugrekhelidze

Producers: Academy of Media Arts Cologne

When: Tuesday 17 September - 19:15

Where: Central State Film Archive

In the 1993 Abkhazian civil war, Georgian children and their families are forced to flee their home town, Sokhumi. Escaping war, they head into the unknown. In this poetic animated photo collage, Yana Ugrekhelidze depicts the children’s terrifying experiences while acknowledging their longing for warmth and safety. She crafts images of the unspeakable which demand a closer look at the children’s suffering.

 Screening on Tuesday 17th Sept – 19:20 @ The Central State Film Archive

UNSETTLING

Country: UK, Israel, 2018

Genre: Documentary

Duration: 70 min

A film by: Iris Zaki

Editor: Oren Yaniv

Camera: Or Azulay, Iris Zaki

Producers: Iris Zaki, Osnat Saraga

When: Tuesday 17 September - 19:20

Where: Central State Film Archive

Tekoa is a trendy hippie colony for Israeli settlers on the West Bank, where none of the controversial residents want to speak to the media. From the moment director Iris Zaki arrives from Tel-Aviv to the settlement, tension fills the air. She sets up a small pop-up film studio in the middle of the small town, and stays put for over one month in order to meet the local settlers face to face. A simple intervention, which creates a complex chain of reactions from those who eventually agree to talk to her. From a woman who in the middle of an interview admits to being a fascist, to another who has survived a knife attack by a young Palestinian – and has forgiven him. ‘Unsettling’ is made by Iris Zaki alone as a social experiment that highlights the contrasts and contradictions of the settlers’ self-perception, but which does so in something as rare as an active conversation with them. A conceptual ploy that places Zaki’s film in the field between artistic practice and political activism, and which reaches beyond blind criticism.

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