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The Gospel according to Rama and Velia

The Gospel according to Rama and Velia

Alfred Lela

Arben Ahmetaj, one of the participants in constructing the edifice of the Renaissance and its government, ironically became one of those who removed the cornerstone of this building. His escape left behind not only cottages with bedrooms, in which there were drawers and vibrators, but especially a great tremor in the palace of power, which is not at all what comes from pleasure.

By taking to Switzerland the head Rama and the government had designed as non grata, ss the next to fall in the staged guillotine of SPAK, Ahmetaj neutralized the power's justifications and sentenced other heads to fall. Rama's former deputy would fall under the heavy burden of guilt and negative image produced by the scandalous incinerator affair and free the government and Rama. The Prime Minister would re-legitimize himself and the power, saying that he does not dig justice, even when it takes the number 2 and one of the long-time collaborators.

As the custom of sacrifices, which are accomplished through blood and the morbid pleasure that awakens the human soul, Rama and his ascension would be purified. The scandal of the directors of Veliaj would be another theft, not an affair that endangers the government or the largest municipality in the country.

What makes this theater, both tragic and comic, is how disposable the heads around Rama are. How they only count as a power goal. Those who until yesterday Edi Rama made them look like fellow fighters of a common cause, today are masquerades who go outside the party line, eat fruits of sin behind their backs, and endanger him and the 'collective'. This is the great paradox of Rama and his government. He came to power on the shoulders of a group of collaborators and has already turned into a back. After which those accomplices do the worst. What Rama does not dare to do, as an ethical or philosophical exercise, is that governments, both when they are causes and when they are conspiracies, are such only through the unity of a particular group, in this case, the Renaissance.

The "alliance of stinkers" thus turned out to be a sinister and failed project. The solution is not killing each stinker but cutting off the head of the problem, which is the very idea of ​​building an alliance that gathers the worst as an anti-power goal, which later becomes power itself.

If we take a biblical motif, since both Rama and Velia act as priests of an order that has not yet arrived but that comes only through them, in the garden of Eden, the solution does not come by tying up the snake, nor by cutting the apple, but by taking it out of the garden Eve and Adam. In this case, Rama and Veliaj are examples of a system that came in 2013 precisely with the promise of heaven, year zero, protection, the end of evil, the undoing of Saliu, and so on.

Now we are at the point when Eve and Adam, Rama, and Veliaj are very close to denying and blaming each other (they are no longer left of those who eat apples without their backs, so when only those two remain, it will be understood that they are precisely those apple-eaters themselves).

In this sense, Arben Ahmetaj, fleeing, took his sins with him but also served as the opening of a scene in which the snake, the apple, and Rama with Veliaj remained. The Bible has it that the punishment of one is also the downfall of the other.

And this is the fear that creeps up more than all suspicions. Each's fall is also the other's, and with them, the paradise of the Renaissance is undone.

 

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